Violence, Do we really love it?

Strangely, the world has always had this uncanny attraction towards violence. From the medieval times all the way to modern times. It however needs to be acknowledged at some level, society today does strive and campaigns for peace, governments may(honestly) not, but society does(majority). This idea brings my attention to our society, sub-continental or Pakistani society, do we really prefer peace or are we inherently lovers of violent ideologies? I do understand that such generalizations are not accurate pictures of our society but considering it is important for the sake of understanding the issue at hand and to place it accurately within the sections of society. It is often seen on social forums that even to condemn violence, people often call for violence, that too, extremely brutal forms of it. People would suggest without shame the public hanging, stoning, amputation, gutting and at times even the burning of alleged perpetrators of violent crime and would even garner considerable support for such ideas. We as a nation actively suggest/support the brutal ‘crushing’ of all elements that we view or grow to view as ‘Anti-state’ ones, we do not think about ideological issues, we do not look towards permanent reconciliation of grieved parties or even perhaps structural development at a scale that would erase the ability of the said actors to operate with success. Our most easy and desired solution has always been ‘bombing them into oblivion’. It is important to note that I am not denying the need for armed force against groups that principally aim to oppress and murder innocents but what I am saying is, can it work independently without structural, social, economic and ideological changes in the narrative? Another question, do we really admire the brutal crushing of elements that are at odds with our morals? Do we see our military ability and viciousness as a source of pride? If Yes, then there exactly we have a problem. I understand that these questions may hold true for most societies around the world and under such circumstances we have a general problem around the world of rise in the culture of militancy, however the degree to which it is deeply entrenched into the minds of the people tends to be greater in regions that are war torn, have a poor literacy rate and extreme inequality or wealth and opportunities. I mean to place a lesser emphasis on ‘violence’ on let’s say on the border involved between forces of two nations or militant groups, but I wish to emphasize on acts of communal violence, oppressive state violence against innocents which tend to garner support from the masses, justifications such as, ‘They asked for it!’, ‘Should not do something that hurts others’ sentiments in the first place’.

(Public flogging in Pakistan, 1980s) *TZA does not own the picture*
                                 (Public flogging in Pakistan, 1980s) *TZA does not own the picture*

During the 80s military government in Pakistan, protesters were often flogged in public, those who had the courage to speak up were thrown into jail cells, tortured and starved there. The state was extremely brutal and did not flinch in using violence to suppress or even ‘eliminate’ those who hurt the ‘social order’. Lawyer, poets, journalists and free thinkers were brutalized,censored and labelled traitors. Yet people would come out in hundreds onto the streets to watch the public floggings and hangings as if it were a spectacle, a large section of society would continue to justify the state’s actions, even sections in today’s society continue to justify those past atrocities. When the state butchered and suppressed countless innocents in the former East-Pakistan, even then there were champions of nationalistic causes who referred to the brutality as ‘saving the country’. Such violence was not even toned down by future democratic regimes, police brutality was always an acceptable force to crush those who were a ‘National threat’. Even today, a large section of the country lives as the oppressed, thousands live under forced bonded slavery, women are killed and burnt to death for honor. Violence gradually over all this time has become embedded into our society and we don’t even realize it. The oppressed are traitors when they demand rights and the women are immoral when they demand rights. Those who speak up are traitors and are often called to be ‘hanged to death’ very casually on social forums. Those who even die in violent crimes, state or third party are casually flicked away by statements such as, ‘They must’ve done something’, ‘He/She should not have done or said that anyways’, ‘He/She did not posses a good moral character anyways, why do we even care?’, ‘I condemn it, but you know he/she was partially at fault too’. I don’t only mean social activists, journalists and politicians, I also mean alleged criminals, killers and alike. Why do we/can we as a nation justify violence so casually as if it is completely normal to us and happens all the time. Have the years of state violence and war on terror truly desensitized us to violence?

Is it suddenly ‘not that bad’ to kill just because ‘She asked for it’?  Why does it matter who the victim is? I understand that the world is not all rainbows and flowers, I understand that violence, crime and hate is also a large reality within it but does that really justify us being okay with it? Even if it is, does it then go far enough to be justified for us to be celebrating it? Why has, ‘Hang all you people’ become the default counter to most opinions and ideologies that are not in line with yours? Showcase of arms and ammunition and ‘hawayi firing’ (shooting bullets into the sky just for the fun of it) have become rituals and symbols of pride. So the question comes about, do we really enjoy it? Do we love it when violence is practiced against those who are not us nor dear to us? We are truly onto the path towards an increasingly militaristic society without us even realizing it, we can not expect social development and progress until and unless we realize it and take corrective measure to gradually change the narrative, just like it has gradually been constructed with the passage of time.


Ho Mann Jahaan: Refreshing, Beautiful & Entertaining.

56151a1d47b48Refreshing Start, immersive throughout, excellent execution and beautiful music.

Ho Mann Jahaan had everything that a modern day movie should have. It was relatable, it was not far fetched and it all seemed honest. This was a movie based on the life of three friends from College,  how their lives were interconnected and how events unfolded as time progressed. I know it all sounds like an over used and cliché idea. But the way it was executed, connecting with how the different facets of society and family structures in Pakistan operate did not allow the viewer to think ‘cliché’ even once. And the way it was panned out, it all linked back together like a well direction-ed, well steered boat. In the end Converging together with the initial message of the film, ‘dosti'(Friendship).

Ignoring the occasional flaw when the musician’s fingers or hands were not moving on the guitar yet the tune was altering. The direction, the location and the way in which the film was paced was impeccable. It did seem a bit of a drag a little before and after the intermission, but that effect was unnoticeable when fused with beautiful yet refreshing music. And understandably it seemed vital to the stroy, the film would have felt incomplete without all those little scenes, connections and details.

None of the characters seemed unnecessary, everyone on-screen had some part to play. And everyone played their part near perfect. Be it the evergreen Bushra Ansari, the beautiful Mahira Khan, Adeel Hussain or Sheheryar Munawar. Each actor had a distinctive character, no one seemed to be put on the sideline and none of the characters seemed fake. Which is extremely important because the actors need to believe in characters as a start to even have a chance of making the audience believe.

The music was the undisputed star of this movie. Considering that the plot was largely based on music, the art itself. The film shined in the music that it brought forward. Be it the beautiful Balochi tunes, Atif aslam’s Dil Kare, the pure entertainer Shakar Wanda or most importantly the classical Revitalized Zoheb Hassan and Nazia Hassan’s ‘Dosti’. This particular song may I add fit perfectly with the story line of the movie.

Besides all the technical aspects of the movie. In the end what does it or breaks it for the viewer is whether he/she is able to ‘feel’ with the movie. Does the viewer walk out of the theater with a smile on his/her face? This movie was able to create that feel and that is why I loved this movie.

This is indeed a wonderful start to the New Year and a wonderful first step of the year in the revival of the Pakistani Film Industry.